Press release
COMMENT: Between outrage and arson attack - what really happened in Loitz
Let's imagine a short distance. Once across Loitz town center, maybe a hundred and fifty meters. That's all it is. And yet this distance is enough for an image to take root in a few months: first swastikas and SS runes appear on a house wall. Then glass shatters as stones fly. And finally, the door of a studio is on fire while the owner sleeps inside. These are not loose coincidences that somehow come together. This is a sequence. A series. A targeted intimidation - politically charged, spatially bundled, logically escalating: symbolism - damage to property - danger to life.Why do I emphasize this? Because in Loitz it's not just actions that have an effect, but words. Long before there was a fire, the public was talking, exaggerating and labeling. In April and May 2025, there were the first big stories about Marktstraße: "extended family", "permanent stress", "lawless zone". These are strong terms. They mark a house and its residents - and, as the analyses show, without reliable evidence, without fines, without ongoing proceedings, without notes from the police. A stigma is created before the first right-wing extremist graffiti is documented, before the glass shatters. Only then do the attacks follow - precisely where the label "problem place" was previously stuck. And in September 2025: reports again, this time about a "Ukrainian party atmosphere", followed by the arson attack on the photo studio in Greifswalder Straße. The same mechanics again: narrative, excitement, action - only denser, more dangerous, more definitive.
I often hear the objection: "But the media only report - they don't do anything." That's true: newspapers don't set doors on fire. But language creates resonance. When unsubstantiated allegations become ever new headlines, when politicians pick up on these words, amplify them and develop them into the backdrop of a "lawless zone", a climate is created that lowers inhibitions. This is exactly what the triply verified analyses describe: accusations by private individuals were repeated, evidence was never provided; politicians took up the buzzwords; the media amplified them until the narrative became reality. The result: the only verifiable crimes were not directed against the residents, but against them - graffiti, stone throwing, arson attack.
And there is another aspect of honesty: some of those who were the loudest in public did not press charges. They sought visibility in front of the cameras, but remained silent during the formal proceedings. This shifts the focus: it is not the judiciary that clarifies, but the agitation that decides who is the perpetrator and who is the victim. This is not only dubious, it is dangerous - and it has been documented in Loitz.
So what really happens? From the point of view of social psychology, there is a familiar pattern behind this: social proof. When many people say "there's something wrong", it soon seems like certainty. From the point of view of media ethics, it is framing: words lay down paths. From the perspective of crime prevention, it is the imitation effect: those who feel "legitimized" to "create order" act more easily. In Loitz, we see these three strands knotted together - and that is precisely why it is wrong to speak of a random accumulation. It is a series, fed by a resonance chamber that words built before matches fell.
Does that mean journalists should keep quiet? No. It means: check before magnifying. Facts before frames. If there are no notes, no fines, no proceedings, then the correct headline is not "lawless zone", but: "Unclear situation - we are investigating further." Does this mean that politicians should gloss over problems? No. It means reporting what is punishable instead of raising the alarm with vague images. For mayoral offices, this is doubly true: anyone who learns of possible crimes in the course of their duties not only has a microphone, but also obligations. The route to the police is shorter than that to the press briefing - and always more sustainable.
And we, the public, have three simple sentences to help:
Firstly: Separate time and place clearly. A doorbell prank in another street is not proof of unrest in Marktstraße. Sounds banal, but it happened - and was later used as "evidence".
Secondly: Rumor is not fact. Whoever claims should show. Until then, it remains an allegation.
Thirdly: Follow the language. When a label becomes an act, it is time to remove the label.
In the end, the conclusion remains simple and clear: it didn't just "happen" in Loitz. It was talked about, written about, felt about - and then brought about. Three acts within a small radius. A recognizable increase. A goal that was made visible and had to pay for it. That is the definition of a series - not legally in the handbook, but in reality in the urban space: serial intimidation, politically motivated, born of words, confirmed by flames.
What follows from this? A double responsibility. For editors: sharpen their own checklists, wait for evidence, ground quotes, detoxify headlines. For administrators and politicians: charges instead of insinuations, protection instead of buzzwords, prevention before posturing. If we change path this time, the next chain will not end at a burning door, but in a sober chronicle: "Allegation checked - not confirmed." That would be the best news from Marktstraße in a long time - and a start towards giving Loitz back the peace that has been taken away from it linguistically.
INTERN - (Factual reference points include: Sequence and content of the three acts, spatial proximity and escalation; media lead-ups in April/May and September 2025; lack of official evidence against residents; mechanisms of repetition/framing; role of public visibility and lack of reports)
DREIFISCH
Greifswalder Str. 242
17121 Loitz
Germany
https://dreifisch.com
Herr Anselm Bonies
03999895900
support@dreifisch.com
Welcome - I am Anselm Bonies, a creative companion who sees the interplay between color, form and design as the heart of my work.
In my world, everything revolves around the symbiosis of photography, film and graphic design. For me, creative work means not only creating impressive works, but also telling stories and opening up dialogs - in close collaboration with you. I see myself as someone who not only designs, but also accompanies. As a creative partner, I work with you to develop visual experiences that leave a lasting impression and get to the heart of your message.
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Whether you want to build a strong brand identity, create a unique visual experience or tell a story that touches your audience, I have the experience, flair and technical know-how to bring your ideas to life. My goal is to realize your vision as precisely and individually as possible, creating a creative process that not only meets your expectations, but exceeds them.
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My work is more than just creating images and designs. It is a process of transformation: together we develop an idea that takes shape, comes to life and leaves its mark. My focus is always on translating your message into powerful, visual forms of expression - customized and tailored to your goals.
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How others see me? The best way to find out is to see for yourself. Give me a call or send me an e-mail and experience how your ideas become tangible, creative works. I look forward to getting to know you and breaking new ground together - where color, form and design merge to create unique moments.
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