Salar Bil made a kimono for Christina Aguilera.

Salar Bilehsavarchian with the alter-ego Salar Bil is The Godfather of conceptual fashion based in Tehran. multidisciplinary artist with the message of Art by the artist most of the creative parts of projects are by himself, back in 2002 his passion for Christina Aguilera's utopic voice began. He saw Christina on TV back in 2001 but as he explained It was at 2002 when he sat down behind his friends computer without understanding English well, and when the beats of Can't Hold Us Down broadcast from the speakers the R&B, Soul music, not the music video, he fell in love with that demeanor and with a floppy disk he became a fan, and for Mulan's movie premiere he made a Kimono with handicraft arts of Iran's ladies for Christina, he designed for many artists such as Boy George, Ellen von Unwerth, Róisín Murphy, Erykah Badu, Betony Vernon and many more Salar Bil's signature belt styled by Mel Ottenberg worn by Xtina at The Hollywood Bowl on July 16th, 2021 was his biggest wish as a Persian that is under sanctions of United States, the show was one of a kind with Gustavo Dudamel Symphony Orchestra, he explained that he sent Xtina Persian music as well, because actually he cares about music and the salvation of souls of artists that engage with each other, he is the ambassador of Tom of Finland as well, and Christina for LA pride 2022 chose Tom of Finland for her green color of the rainbow as a p.h.a.l.l.ic woman, Daniel Lismore as his figure pictured him as Martha Graham in David LaChapelle's "The Bad Boy of Ballet and the Bombshell" and another personage in "Kate, the Great" with Kate Moss after that in Victoria and Albert Museum the "President, 2022" sculpture he matched pieces with Alexander McQueen, Whitney Houston Keyring, P Diddy logo, Star Trek Keying, brooch from Little Rock AR, chainmail. Gold necklace, Ruby Necklace… he was included in Daniel Lismore's exhibition when Gilbert and George cut the ribbon and opened the show. Daniel Lismore called "England's Most Eccentric Dresser" showed his work to many artists for example Björk, Marina Abramović , Grace Jones…. He is working underground with no waves of accomplishment and respect to liberty of people around the world, he's doing his part for academic articles with important icons of the world after academic degrees for fashion and art, he wants to educate himself with the advices from icons of the world and interact with them til he can make worthy cultural movements for the culture, goal is attempt to promote scholarly articles and logical and valid arguments against mere personal opinions or intuitions without knowledge. he challenged from feminism and queerness to a great path of activities with a meaningful body of work, he broke the boundary between men and women because he is the new generation Can't Hold Us Down boy, and in his interviews explained that there's no differences between any kind of gender and orientations, and they showed him as a curropt person on the most important TV news.
His first body of work the art of investigating or discussing the truth of opinions as a fashion student and a twenty year old boy was characters with different clothings and styles came from branches of Glam rock, first from "Art as Existence" inspired by Gholam-Hossein Sa'edi his Iranian roots that is about The pseudo-artist that is born of censorship in Goethe's Nights, the garden of the German Embassy in Tehran, inspired by "The Cow" movie(1969), He explains that an artist who does not know the West and only imitates the West is like a disease for the culture & he doesn't care about his own culture, Bil started the dialectical game with Bionic's post feminism fetishes packaged characters of capitalism and sex futuristic in a empty narcissus pool without water inspired by David Hockney, Le Corbusier and D*Face who make fun of consumerism and image-saturated era, celebrity culture, the fascination and obsession with materialism and fame, with Latex kind of Bowie and art rock, after that he made "Androgynous" from afro Iranians and the Indigenous culture of the everyday people of Bandarabbas kind of blues and just honesty of people's beliefs with the cruelty that has been done to their beliefs by the war, the fashion was camp designs on a box of traditions with different characters from Drag queens & men on a open box for the ladies nature and sunny day with water that the lake has dried up by the egocentrism acts of men, his Fashion Runway that started with African instrument because science is clear we are from one ancestor from Africa, metaphysical 7zār about all kind of muslims against the curtain of ladies that was black faced caricature niqab and lack of perfection, kind of awful and dark censorship of ladies, after that the False Dichotomy which is a mistake that people categorizes other people as good or bad,and he described that "Cries And Whispers" the Ingmar Bergman movie made him to understand that only Anna took care of Agnes because she was just a good human that was caring and really white(good) and the pretender moral family were grey in their own situations because of their difficulties in life, on the other hand Bipolar was a soul searching that was about human nature to want to protect the shadow from painful or negative feelings and experiences at the same time project back to the negative feelings that people label the soul and make us fascination, from "Neo-romanticism" of Glam rock he went to Ecofeminism trilogy that was perfection and not like his other collections very messy and imperfect, it was about the spotless material world has become objects from our mother nature that is in a danger, on the other hand the "frugality" of Glam rock that was about plastic trash coutures and consumerism, after that his fighters in the desert fought for horizon and vertical individualism and collectivism then he went to Northern Iran with no concept and just the balladry and freedom and authorization for different characteristics. This was his first step toward the art-world with fashion, after that he made many collections that are in no waves and are just about bringing knowledge and poetry and being needless and free about people's approval.
Most of odd people in Iran are in closet and there is no education for them to understand their situation, although Salar is into girls but he supported them from the beginning and they don't even know how to get rid of stigmas or a mark of disgrace, because we know that they are different from the minority so it's so important to embrace the seemingly bad labels like strange, peculiar and Salar did support prostitution that brought him huge, lots of controversy, he knew that choice gonna lose lots of supports by society, he did not work with nationalism events, markets and celebrities, he was aware that lots of Iranian women are under pressure, so after his revolutionary street performances and openly showing the emotional abusers of himself to the people of the art-world, Saber Abar & Pantea Panahiha who repeatedly bullied him and imprisoned him, and Salar explained that he bullied back, lots of Iranian women that some of them are salar's friends of various backgrounds with different histories have taken to social media, in their own #MeToo movement, to report their experiences of sexual harassment and assault. The police have announced they have taken action against at least one suspect. Many women hope this will be just the beginning of a broader movement against sexual violence, social media has undoubtedly been a great amplifier and connector, allowing Iranian women to read one another's stories as well as the experiences of women in other countries. But where Iranian women are standing today is also the result of years of work on the ground by Iranian women's rights defenders and ordinary women who have fought to be recognised in society, So it shows the power of music and faith that no one can hold Salar down to fight for his people and himself, he explained about his bionic collection : "When Bionic released in 2010, the idea behind this album inspired one of my most important collections. I was intrigued how a pop star defines her gender based on the body that made for future: a cybernetics. I was thinking about how the technologies could effect and change our body. And the idea to make a collection for people of next decade was a departure point in my career as a science fiction story teller. If transhumanism can sound like science fiction, this should not dull us to the ways in which the latter has been remarkably prescient in its exploration of virtuality, artificial intelligence and cybernetics. Indeed, contemporary science is continually throwing up scenarios as unsettling as any sci-fi, from the spontaneous self-creation of the RNA needed for life, to the possibility of multiverses and the end of time. Even if there is only one universe, it has not been about us humans for the vast majority of its existence, and it is ever harder to detect anything preordained in the way matter and life have evolved. As Donna Haraway has insisted, when the boundaries between the human and the nonhuman are mutating, it makes no sense for scholars to lock themselves away in the arbitrary confines of their disciplinary worlds."

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This release was published on openPR.