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Salar Bil is the Godfather of Conceptual fashion based in Tehran, Iran.

04-05-2023 10:18 AM CET | Fashion, Lifestyle, Trends

Press release from: newsfashioniran

/ PR Agency: newsfashioniran
Salar Bil is the Godfather of Conceptual fashion based in Tehran, Iran.

Salar Bil is the Godfather of Conceptual fashion based in Tehran, Iran.

Salar Bil, Godfather of Conceptual Fashion; The One and Only Pathfinder.
Salar Bil with the alter-ego "Bil", Non-binary gender who has been in love twice and only had those relationships with two girls, Long term relationships and as he mentioned on his instagram the people that entered his life after his first loves were not love and he did not use them emotionally or sexually. He is the first feminist fashion designer in Tehran, Son of Gita (the meaning of Gita is "Universe" in Persian), 50 years old. Grandson of Ashraf( same name of the sister of the Shah of Iran ) but Salar Bil explained on his instagram that many writers and intellectuals were oppressed during the Pahlavi era and he does not agree with his grandmother's beliefs, at the beginning of his work Bil marked the decline of Iran's history from Achaemenid to Qajar in an underground gallery with a text about his position as a democrat and he refused to cooperate with official galleries and it's clear from his pictures that he is between the people in the streets. Bil is also a gender player but that doesn't mean he has a filthy private life either, he gives his body to the fashion world to empower others for removing stigmas and bring the message that you cannot define people easily and a fighter for judging against marginalized groups, your mental image or your intuition is not a proof of knowledge in the age of media, He has also prepared a podcast about the importance of media and logical reasons about understanding art that why do we like what kind of art and why don't we like it in the new age not complaining without reason, but the science of art analysis and after Gholam-Hossein Sa'edi his idol, he tried to talk about the reasons for the view of art in today's world, He has been a dancer since early childhood, painter, filmmaker, animation and digital art maker, writer, poet and translator, directs and photographs his own projects, collagist and his most important hard work is that he also has the experience of working with more than a hundred prestigious international stores for visual merchandising.
He was the intellectual "freedom icon" published by Diane Pernet before the protest 2022, Woman,Life,Freedom.
With his interview that talks about the superhumanity of women with the help of Masters of art and fashion he made a revolution online. He messaged and bring many artists into his instagram page.
After death of Mahsa Amini, Diane Pernet turned the "Freedom Icon" article into the article "Dialectics of Design" Salar Bil predicted the protest of Iran; Half an hour after the death of Mahsa Amini, He mentioned most of people are in comas, He wrote about the Saudis and the Chinese and Iran, Saudi Arabia and China became accomplices after that.
Diane Pernet wrote about the forefather of conceptual fashion in A Shaded View on Fashion Film from Anti-capitalism to Anti-Iranian regime! Sophie Fontanel In a Vogue France article called him the Godfather and and an important thinker in politics, before that Sophie wrote a complete article about him in L'Obs which is related to the left wing and care about issues such as politics, culture, literature and also issues related to Middle East countries. Tim Blanks also in Fashion in the Middle East, Optimism and Transformation called him the predecessor of Iran's perceptual and a unique author.
As an Iranian who was interested in fashion from childhood, he worked passionately and was engaged in filmmaking in adolescence, His painting teacher introduced him to Abbas Kiarostami and avant-garde documentary filmmaking and his passion for filmmaking started with his hero Abbas Kiarostami, Then he did not continue studying cinema and has a BA in Textiles and MA in Arts & Culture research.
BoF mentioned he is one of the first successful market leaders of Iran next to his ex-girlfriend Vaqar, They openly had their romantic relationship without any censorship in Tehran society like an equal and peaceful couple although in Iran, the photo of their bed that they published is not like John Lennon and Yoko Ono bed peace and it may bring him conflicts from groups that made him a controversial icon, He explained about his point of view about future feminist that includes LGBTQIA and ecosystem, he made collections for The World Food Programme (WFP) sustainable food and organic fabrics since his ecofeminism collection, Kim Gordon of Sonic Youth (his no wave avant-garde genre ) who is also the icon of Marc Jacobs build a foundation for Salar Bil's future goal for literature that deals with academic articles, Salar Bil always lives his life openly and is completely himself and against censorship, He's against any secret and social subjects not to be discussed with other people and he believes that social change comes from openness. He was the hottest designer of Iran back in 2015 according to JSTOR digital library of academic journals and now he step after Marcel Duchamp because like Duchamp, he believes that an artist is made of other artists. So he intends to write academic articles after the conceptual work, and he mentioned with his words on a video about surrealism, Iran has found the status that should play Dada literature because people living in a chaos, Dadaist poems attacked traditional conceptions of poetry, including structure, He mentioned that arts are completely meaningless now and people are traumatize, His work is very detailed so he meant that after the longest war of century this is a social condition, He wrote in a book published in Iran about Anthropocene age for sustainable fashion, it's very clever because we are part of a complex, global system and the evidence of our impact on it has become clear.
He is the ambassador of Tom of Finland, most influential pornographic creator and Christina Aguilera as a phal... icon paid tribute to Salar Bil for L.A. pride 2022 as a controversial legend and his self imagery.
He has been introduced as a threat to the Islamic Republic of Iran and has launched unisex fashion as the first person in Iran and openly talking about non-binary and people who do not consider their gender identity exclusively male or female, beside supporting the LGBTQIA community and the blackness of the hijab on television in Iran that he is so proud of his decision, He is the man who truly found a statement of his own fashion in Iran and not following the rule book of previous designers or labeled styles but also a no waver avant-garde which means the rejection of commercial, otherwise there is only cover policy in Iran or policy of wearing that Salar Bil made that policy as a symbol of bloodthirsty muslim woman to refer the image of Iran's hijab policy in Bionic post feminism and sex collection with his iconic modern keffiyeh fabric that Iran's national television has shown that bloodthirsty symbol as a threat who keeps women in the chains of Islam, His own special poor style from wicker and disco fabrics and futuristic burqa waisted pattern pants, Sache belts around the waist from Glam rock roots that he brought to androgynous Bandar, his thwabs either luxe or indigenous fabrics, silk robes and his checkered abaya like cape with long tight wrist that he wore it very proud beside other muslims in streets that is like a modern and caged kind of shaded to keffiyeh, his famous signature luxe fabrics that he use those fabrics a lot with wood-like pattern, he has also studied fabric making and prepares some of his fabrics himself and paints some of them, He started the meaningful collections in Iran with stories that are a connected journey in a dual dialectic sets discussing the truth of opinions, He designed pieces with conceptual atmospheres very poetic with different styles of photography, Each time different than before, From nature and the colonial south of Iran where he stands in front of the black Muslim woman and has her veil on his shoulder like a determined fighter for women against tradition and the Muslim woman looks at the camera very helplessly from behind and used the same veil to blacken the tradition this time depicting a humiliated woman with a plastic cow nose ring, He traveled to most of Iran's cities, to know his country and socialize with people from different cities, Best images of simple and honest lifestyle in different cities as we observe him in his Instagram page, He is not a fashion victim in his everyday life or in his breaks in nature at the same time with his couture and street manifests he is a professional strong icon owning the stage of life in a bizarre fashion atmospheric, He challenged for liberty to northern Iran, north was a trendy spot during the Pahlavi era, especially among foreign tourists. It was a luxurious place that provided all types of modern recreational facilities as well as tourism infrastructure, He challenged the collection with four girls in nature and architectures of the forties of Iran villas and writing about poetry and theatre of ancient to globalization then punk and grunge even hip-hop as a poetry manifest against regime with the help of Patti Smith, Kim Gordon, Erykah Badu & Christina Aguilera.
Southern Iran after Salar Bil's Glamour of Bandar collection that was trendsetting at that time became a new place for Iranian youth tourism.
Salar Bil is on time, although he created fashion in Iran with message and storytelling but every frame of his photo speaks to you, his dresses with long skirts, mocking fashionable capes better than mullah's abayas with unique color combinations, Glam rock waist molding corset; It is not possible to describe him very much, but at the end of the work it is clear that this is Bil's taste, he is Susan Sontag campy but eastern at the same time globally, his fashion identity is very broad, as a 29-year-old person, even though he lives in Iran but he is a legend in motion in the streets and his output is very clever on image, quality and composition of pictures, we chose him as the icon to introduce him cause we all see fashion icons but Salar Bil is very unique in the fashion world which has gathered the attention of the media these days, simple but dramatic not too cliché minimal at the same time layered simplicity like his double-layered sleeves, profound but unassuming even though he is a very proud figure. He very delicately knows how to balance glory with simplicity, pride with equality, and at the same time by studying his pictures it can be said that he knows how to move, look, and style his life in every situation of life, even his naked and down to earth style is from disgusting to dignified and heavy-footed all sides of a great personality, a personality that need to experience fashion as life because it's the personality that gets the heart, He knows what he's doing and knows that fashion isn't necessarily about opening the champagne at a luxurious night, you can be Dirrty at the same time elegance in another occasion, Life style depends on presenting us in different situations and maybe next generations will learn from Salar Bil and try to live all kinds of lifestyle to experience all sides of being a human, There is no reason to be ashamed of being truly yourself and trying hide and not to face the precious dark sides of yourself which causes fear and anxiety to your self-knowledge and worldview, From his lack of dogmatism, he chooses art for his treatment and for a better life, leaves behind old habits and attachments and moves forward, He accepts the healing instead of being stuck, to sacrifice energy and time for a better future for a better world. He covered all walks of life to inspire anyone of all walks of life and interests and tried to cover all aspects, at the end he's gorgeous in honest free lifetime beside put-together dressed up Bil for the scene, he discussed that Benedict Anderson maintains that the newspaper structured the time of the nation, allowing people who had never met, who more often than not had conflicting interests, to imagine themselves as part of a single, abstract entity to which they owed allegiance. The colored lithograph functions as a fantasy of this national unity as well. The image of the brave and standing soldier standing before the barracks is essentially a cartoon, a mere paper tiger unless a family sends one of its sons to stand in that place of fantasy. However, that colorful but abstract image creates a place and models a nationalist desire, and the actual inclusion of the photograph makes it something more-it interpolates reality into the fantasy. W. J. T. Mitchell suggests that military recruiting posters are so powerful, in part, because they can be reproduced "in millions of identical prints, the sort of fertility that is available to images and to artists. The 'disembodiment' of [the] mass­produced image is countered by its concrete embodiment and location as picture in relation to recruiting stations (and the bodies of real recruits) all over the nation."In Mitchell's example, what makes it concrete and individually effective is the singular location, but the families Hausmann observes go much further by hanging the image in their home and then inserting the photographic portrait of their son.
There is something eerie in this gesture, since so clearly the lithograph is a fantasy, its unreality unwittingly unmasked by the inclusion of the photographic medium that concretizes and particularizes not only the image, but shows us how the fantasy image has done its work and found a real stand­in for the colorful but two­dimensional soldier now given a real face.

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