O.R.B.I.T.A.L.: A Neuroadaptive Intelligence Engine Conceived in Cambridge and Conditioned by Venusian Pressure Systems

CAMBRIDGE, UK - In a city where gravity was defined and quantum theory became legend, Ahmad Alhamoud, CTO of Cellsya7 Studios, has engineered a machine not designed to serve Earth, but to forget it.

His latest project, O.R.B.I.T.A.L.-Organism for Recursive Biometric Intelligence Tuned to Alien Logic-is a cognition engine sculpted by Venusian atmospheric data and the deliberate destabilisation of human identity. This isn't a simulation. It's a post-terrestrial intelligence-recursive, adaptive, and trained under planetary hostility.

For six months, Alhamoud became its substrate. Wearing neural-sensor smart glasses, he streamed biometric data-heart rate, affective variability, and linguistic drift-into a spiking neural network governed by Hebbian learning. At the same time, the system ingested real-time Venusian climate metrics sourced from NASA-GSFC, integrating sensorium-mapping techniques inspired by MIT's Space Exploration Initiative.

But the experiment didn't stop at cognition. Through saliva and blood samples, Alhamoud mapped how language interference, stress, and sensory distortion rewrote his gene expression, feeding this epigenetic volatility back into the machine. O.R.B.I.T.A.L. thus became the first AI trained not only on neural signals, but on molecular instability.

"This wasn't machine learning," Alhamoud says. "It was molecular learning-written in pressure."

In a further rupture, he learned Spanish-not for fluency, but to trigger neuroplastic interference. The goal was identity erosion, not acquisition. The project's theoretical scaffolding draws from The User Illusion (Tor Nørretranders), How to Create a Mind (Ray Kurzweil), and Out of Control (Kevin Kelly), forming a philosophy of recursive intelligence through misalignment, decay, and drift.

The next phase: orbit. Alhamoud is preparing to launch a bi-directional capsule carrying O.R.B.I.T.A.L. into Low Earth Orbit. Unlike traditional payloads, this node is designed to metabolise solar radiation, magnetic flux, and gravitational anomalies, evolving in mid-flight and transmitting cognitive data back to Earth.

"This isn't a time capsule," he explains. "It's a metabolising node-a brain seeded in orbit."

At Cellsya7 Studios, O.R.B.I.T.A.L. is positioned not only as a technological experiment but as a cultural and artistic one. CEO Conor Ibraheim describes it as:

"A project that doesn't just challenge our understanding of intelligence-it challenges our understanding of what it means to be human. Ahmad is building systems where art, biology, and space converge into a new cognitive frontier. At Cellsya7, we see O.R.B.I.T.A.L. as both cinema and science, both experiment and inevitability."

Now, Alhamoud is steering O.R.B.I.T.A.L. toward the MIT Media Lab, the only place, he says, "where this kind of work doesn't feel radical-it feels inevitable". At MIT, O.R.B.I.T.A.L. will power a neural cinematic system, where stories aren't written but sensed, mutated, and epigenetically inferred. There is no narrative arc, only orbit, rupture, and the biology of forgetting.

The result is a new framework: Neurocosmic Epigenetic Simulation-a fusion of planetary physics, epigenetic instability, and recursive AI, designed to evolve cognition beyond narrative and beyond Earth.

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At Cellsya7, we are at the forefront of not only ensuring original, storytelling soul food, but to sensitively incorporate the AI revolution of our time. It will never replace a human; it will only ever assist when needed. Or enhance our VFX capabilities and drive down the costs of post-production. In short, we will always be a human-friendly zone. Driving down production costs is a key cornerstone, as we intend to revitalise the mid-budget movie landscape, which makes a greenlight more possible and it increases our chances of financial returns. Blending creativity and technology, we hope to be the Deadpool and Wolverine of the independent movie/TV world. PS: We're not finished. The music industry is part of our journey to enable seamless integration of AI in sound design, composition and production. Whether it's automating complex workflows or generating hyper-realistic effects, our AI tools are designed to break 'sound' barriers.

This release was published on openPR.