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Artist book: Bol - Isle of Brac, Croatia - 10 pieces limited worldwide

11-01-2018 09:59 AM CET | Arts & Culture

Press release from: Galerie für Kulturkommunikation

Limited to 10 pieces worldwide

Limited to 10 pieces worldwide

In the month of September 2018 Rainer Strzolka travelled through Croatia, installing various artistic objects in fourteen display rooms. He had a diary, wrote lots of letters and took some pictures. Here are the pictures from the digital Crotia project shown for the first time. The pictures of the analogue project will follow in 2019. The pictures oft he first Croatia project in 2002 will follow considerably later.

The Croatia project is strictly limited to 10 pieces worldwide.

List Price: $12.00
6" x 9" (15.24 x 22.86 cm)
Full Color on White paper
28 pages
ISBN-13: 978-1727876987 (CreateSpace-Assigned)

Rainer Strzolka (°1956, Berlin, Germany) is an artist who mainly works with photography. By emphasising aesthetics, Strzolka absorbs the tradition of remembrance art into daily practice. This personal follow-up and revival of a past tradition is important as an act of meditation.
His collected, altered and own photos are being confronted as aesthetically resilient, thematically interrelated material for memory and projection. The possible seems true and the truth exists, but it has many faces, as Hanna Arendt cites from Franz Kafka. In a search for new methods to ‘read the city’, he wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation.
His works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. By contesting the division between the realm of memory and the realm of experience, he focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting.
His works demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. By demonstrating the omnipresent lingering of a ‘corporate world’, he seduces the viewer into a world of ongoing equilibrium and the interval that articulates the stream of daily events. Moments are depicted that only exist to punctuate the human drama in order to clarify our existence and to find poetic meaning in everyday life.
His works are often classified as part of the new romantic movement because of the desire for the local in the unfolding globalized world. However, this reference is not intentional, as this kind of art is part of the collective memory. By applying a poetic and often metaphorical language, he creates work through labour-intensive processes which can be seen explicitly as a personal exorcism ritual. They are inspired by a nineteenth-century tradition of works, in which an ideal of ‘Fulfilled Absence’ was seen as the pinnacle.
His works are often about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes developed in absurd ways.

Galerie für Kulturkommunikation
Meldaustr. 3
D 30419 Hannover
+495117629359

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