|01-24-2013 04:41 PM CET - Arts & Culture||
Tina Wendon’s Impressions of the Inner Psyche at Agora Gallery
Press release from: Agora Gallery
In her ethereal and finely detailed style of portraiture, Tina Wendon develops an expressive realism of air and mood, bringing to light a faithful interpretation and a sense not just of the subjects’ physical characteristics but of their innermost life and emotions. As she creates her works in oil paint on canvas or linen with occasional elements of mixed media, Wendon creates an illusion of reality, applying thin layers of pigment to build her portraits of the inner psyche. The artist’s touch across the surface is soft and deliberate, giving an atmospheric quality to her brushstrokes as the texture beneath is allowed to rise through the wash of paint. While Wendon’s process of composition is restrained, focusing solely on those details most necessary to create her images, the result gives a tangible and clearly recognized impression of the individual.
Exhibition Dates: January 16, 2013 – February 5, 2013
Reception: Thursday, January 17, 2013, 6-8 pm
Gallery Location: 530 West 25th St, New York City
Gallery Hours: Tues – Sat, 11a.m. - 6 p.m.
Event URL: http://www.agora-gallery.com/artistpage/Tina_Wendon.aspx
About the Exhibition
If you're looking for something to brighten up the winter days and start your year on a positive note, Agora Gallery's January exhibitions are for you. The Substance of Abstraction gifts its audience with an inspiring new perspective, bringing out the mystery and attraction of the aspects of life and the world that are so often overlooked. With a beguiling charm, these artworks gently persuade you to embrace what you see - and to see the best of what is there. Joyful, lively and possessed of an appealing sense of fun, the works in Portals of Perception engage fully in both personal and shared experience, reflecting everything that is most intriguing and exciting. A perfectly poised impression of harmony pervades throughout, combining diverse themes and forms to make a wonderful, balanced whole. The exhibitions will open on January 16, 2013 and run until February 5, 2013 (opening reception: Thursday, January 17, 2013).
The Substance of Abstraction
Bibbi Ahrnstedt (Glass Artist) | VBadia | Ed Branson | Sebastian Heynig | Aivars Kisnics | Marie Marx | Paula Matthiesen | Jill Mollenhauer | Marcel Renaud | Marie Schlederer | Jose Antonio Serbia | Sherry Sweet Tewell
Portals of Perception
Debra Branitz | Alex Carr | Amparo de Florez | Claire Denarie Soffietti | Isabelle Gardelle | Donna Howard | Alan Jacobson | Tricia Kaman | Olivia Kapoor | Gary E. Koeppel | Vasiliy Kuznetsov | Josie Lowerson | Thomas Maes | Sloane Merrick | Lucy O'Donovan | Lyn Olsen | Lora Raskina | Tina Wendon
About Agora Gallery
Agora Gallery is a fine art gallery, established in 1984 and located in the heart of New York City’s Chelsea art galleries district. It is famous for showcasing a spectacular array of talented artists from around the world and around the corner, while providing quality and original art to collectors. Exhibitions are usually group exhibits, presenting the work of a number of artists, but sometimes solo exhibitions focus on the work of one particular artist. The gallery publishes ARTisSpectrum Magazine, a bi-annual magazine that is distributed to museums, galleries, art institutions and art schools around the world. It provides artists, collectors, museums, galleries, art organizations and enthusiasts with access to the work of international talented artists as well as feature articles, reviews and interviews. Agora Gallery is the proud sponsor of ARTmine, one of the most comprehensive resources available worldwide to view and purchase fine art. The gallery also runs Agora Art Blog, a blog designed to provide helpful information and advice for artists while providing a forum for artists to help one another by sharing their experiences and thoughts.
Tuesday - Saturday, 11am - 6pm
530 West 25th Street, New York, NY
Tel. (212) 226 - 4151
This release was published on openPR.
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